It’s hard not to feel temporary. It’s hard to know what real roots feel like: are you deep-rooted, are you embedded, or are you just making it work? We lead transitory, light-touch lives. You are an email, not a letter. You are fast-fashion, fast-food, bullet points, biodegradable, calorie-free, lighter-than-air. You are not made up of much more than binary. You are mostly cloud. You are deletable.
There are so many words about belonging, and the search for it. I don’t need to add to them; they’ve already been done better, and more permanently. They exist in leather books and on tombstones. The quest for a perfect fit is eternal, and exhausting, because nobody seems ever to know where they fit, except, perhaps, for the people who have never questioned that where they started was the only and best location for them.
There is a woman with kind eyes and a nice jacket telling me to come home. She looks into the lens with the gaze of a mother. There is no guilt-trip in what she is saying, there is only certainty: come home. Come home before you can’t.
And thousands are. The digital might be transient but it is also prolific, and omni-present. I am trying to do my job the best I can, better than before, but I am also watching images eddying around my social feeds. This man is eating a pie. This woman is clutching a halved feijoa. This man is wearing a dressing gown under a blue sky and they have all come home.
It is the most obvious answer that is also the truest: your home is where you go when you are threatened. Your home is where you are safe. So many of my contemporaries, with confident knowledge of the Underground and rental contracts and impressive jobs, are gone, all of it ditched, all of it confidently nothing but collateral when faced with the choice of keeping all of it, and staying, or losing all of it, and going. Those roots, it turns out – the jobs, the new friends, the plans – might have been steadying, but they were never anything other than auxiliary.
There is a woman with kind eyes and a nice jacket and she is closing the borders. We are millenials, so here is the metaphor: you work in the engine rooms on the Titanic, and the ship is going down, and they are closing the gates. We are lovers of dystopia so here is another: you are the maze runner, and the maze is closing.
The problem with both of these (obviously) is that they signal there is no hope to be had, should you choose to remain where you are. You drown. You get ripped apart by a biologically unfeasible robot spider. But there’s something comforting in testing your roots, and finding them sound. Disastrous endings make for good blockbusters, but rarely leave room for exploration of other options.
Borders that close reopen. Home can be two places for one person. Permanence is more than postcodes. Writing it down – digitally, in the cloud, in the air – makes it real.