I don’t spend any time in Marylebone anymore. London is so large that when you live somewhere, or work somewhere, that corner of the city becomes the only place you know well. I lived in Marylebone for three years, which meant I spent a lot of time running around or walking through Regent’s Park. I knew the shit that lined the ponds, and the birds responsible. I knew how close I could run to a goose without being attacked. I knew where the daffodils came in first, and where I would run past puppies and boot camps and people seeking Pokemon off the paths. At some times of the year there would be sculpture exhibitions around the park, and so I knew to avoid the crowds of people and the strange and ominous iron men who rose up from the grass. Sculpture exhibitions in parks always seem to involve looming metal silhouettes, crouched over guns or holding hands with children, crumpled or standing; as if the parks themselves didn’t already house enough shadowed men.
You don’t consider yourself restricted to one section of the city, but it works out that way. When you wake up on a Sunday morning, there’s rarely the compulsion to duck underground onto a tube filled with hot familiar air, and surface somewhere strange, or at least, not for me. I like to go to places I have been before, along familiar canal routes or cut-throughs. Or I like to explore an area in increasing circles, going further afield with each passing season, to try out another pub, or cafe, or park. You could spiral your way out from the centre for a decade, and never get anywhere near the outskirts. There is always another dark-wood pub with a double-noun name and wooden tables on the footpaths and a cat that lurks behind the bar. There is always another beautiful crescent with red front doors and bright-leaved trees. You will always find another small shop selling old books to young people. In Marylebone, turned towards Edgware Road, I would always find myself on a road that started with expensive antiques, windows filled with gilt pineapples and strange low chairs, then tipped over into wide-windowed butchers and canvas topped stalls selling sneakers with fake branding. Cheap backs onto poor; jewellery onto canvas bags.
Where do you go when you want to hide? For all the people, London is wide open and raw. There are no hills or valleys; even the forests at this time of year are sparse and clear. Everything is a window. Every corner carries a wind tunnel, and the gutters are merging with the puddles. Even the grates in the footpaths are flooded and full, and I can’t help but think of the London below, the teeming pipes and tunnels. In every movie you’ve ever seen of anyone under water, there is that scene where they take the very last gasp of air available to them, pressed up against the underside of a ship, or the top of a pipe, pressing their lips to the metal before the water closes over their heads. The underside of London, home to trains and fatbergs and rats, is full to the brim.
I recently got an unexpected haircut, so unexpected that when I met my husband (husband) afterwards at the pub, he looked at me and asked, “When did you decide to cut it short?” and I realised I still hadn’t decided. I hadn’t thought about it at all, like you don’t think about turning left instead of right, or whether you go sock, shoe, sock, shoe or sock, sock, shoe, shoe until somebody asks. I’ve never been that cavalier about my hair; in fact, I’m the opposite, a devastatingly boring Sampson, with every opinion I’ve ever had about myself, from my appearance to my intellect, interwoven with my miserable, fine hair. I have taken so many selfies just outside the entrance of my hair salon, as if to double-check with myself that the decisions I made in the chair have followed me out the door and into the air. I’m checking I’m still there (I always am).
When you move house, you leave a piece of London behind. I can visit Marylebone, but I will never know Marylebone Station as I knew it then, as I remember it to be at this time of year: the last-minute Christmas shops (Oliver Bonas and Hotel Chocolat) packed full of people asking for wrapping and for cards; the very tall tree that stood in the centre of things; the old piano that kids and old people would bash out carols on. Marylebone Station sometimes seems like a strange choice for a Monopoly Station, small now and off to the side of things, but it was the center of my universe once. The picture I took in its small photo booth is still in my passport, and will be for another five years. Some things move fast, and some move very slowly. In Marylebone, in our windowless bedroom, in the bathroom where I have had the best baths. I lived there three years ago now, for three years, and some moments stand out like burns on wrists, but most are gone.
At work, nobody noticed my haircut at all. It is a commonly known fact that nobody is as interested in you as you think they are, but it’s still strange when you see that fact told back to you, clearly and plainly. Nobody cares about your haircut, or the neighbourhood you used to love, and so you have to care exactly the right amount: not too much so that it hurts you to remember, so that you miss your past more than you love your present; but not so little that it counts for nothing, three years of your life, not much in the grand scheme of things, not much at all when you think back.